If You Want Blood, You've Got It.

Working from his fortress of solitude in central Alberta, Baguette crony Aaron Moore, has hunkered down for the winter to edit Amy, his bloody directorial debut about the gruesome, murder-revenge exploits of the title character. When asked about what inspired his recent move to the director's chair he was too the point. "Well in my recent collaborations I hated how the editing turned out, and the films didn't have enough blood for my tastes. And the shoots were always conflicting with the hockey schedule... basically I craved power."


Now deep into editing, the dirty debutante is coy when asked about a completion date. He completed a rough assembly while in Vancouver, just days before packing up his family and relocating to Alberta. He's optimistic he'll have a fine cut done in another month but expects to spend extensive time working on the sound design. "I want the sound to pop, people are going to hear the splitting of flesh and cracking of bone in a way that will make them wince and puke in their seats. Its gonna be awesome!"